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Empathy theory, which attempts to offer a psychological explanation of how we understand visual forms by endowing them with life, was one of the most important strands in German aesthetics around 1900. This article questions the assumption common in the existing scholarly literature that, while Heinrich Wölfflin was influenced in his early work by Johannes Volkelt’s and Robert Vischer’s ideas on empathy, his mature work leaves empathy theory behind. Wölfflin’s art historiography is related here to a broader range of contributions to empathy theory in order to show that, rather than abandoning the idea of empathy, he shifts from understanding it as a bodily process to seeing it as a primarily optical one. Looking beyond the question of direct influence uncovers significant intellectual historical connections between his later writings and the discourse on empathy, in particular the work of Theodor Lipps. https://osdividen.tistory.com/11.
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Category:Art & Photography The author of the book:Charles Harrison Format files: PDF, EPUB The size of the: 856 KB Language: English ISBN-13: 9780631227083 Edition: BLACKWELL PUBLISHERS Date of issue: 29 October 2002 |
Art In Theory 1900 2000 Pdf Download
Description of the book 'Art in Theory 1900-2000: An Anthology of Changing Ideas':
This popular anthology of twentieth-century art theoretical texts has now been expanded to take account of new research, and to include significant contributions to art theory from the 1990s.* New edition of this popular anthology of twentieth-century art-theoretical texts.* Now updated to include the results of new research, together with significant contributions from the 1990s.* Includes writings by critics, philosophers, politicians and literary figures.* The editors provide contextual introductions to 340 texts.* Complements Art in Theory 1648-1815 and Art in Theory 1815-1900 to create a complete survey of the theories underpinning the development of art in the modern period.Reviews of the Art in Theory 1900-2000: An Anthology of Changing Ideas
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